
Full interiors
A house or an apartment, from the first day in the rooms to the last cushion. Design fee fixed at the start; the build costed openly.
Services
Residential · Hospitality · Furniture
An interiors atelier of four. We take on four houses a year and a handful of rooms, and we make the furniture for most of them ourselves.
Every project begins with a day in the rooms before anything is drawn — which walls the afternoon reaches, where people actually sit, what the house was before it was decorated. The plan that follows is a plan for light and material first and furniture second. Most of that furniture we make: a workshop of two joiners under the studio, a lighting maker we have worked with for a decade, and a plasterer who does nothing but limewash. Four houses a year is what that allows. It is enough.
Material first. Furniture second. Objects last, and few.
The order every room here is made in.
Most projects are the first. The other three are how the first one gets made.

A house or an apartment, from the first day in the rooms to the last cushion. Design fee fixed at the start; the build costed openly.
ServicesTables, beds, wardrobes and kitchens drawn for one room and made in the workshop under the studio. To order, eight to ten weeks.
Commission a pieceA lighting plan for a whole house, and the fittings themselves — pendants, wall lights and lamps made with the maker we have used since 2014.
LightingA bedroom, a bathroom, a study. Three weeks from the visit to the drawings, and the same care as a whole house.
One room
A house that had been decorated four times in thirty years and had lost track of its own light. Everything came off the walls; limewash went on; the furniture was made for the rooms it stands in.
Tall, north-facing on the street side, with a garden elevation that catches the afternoon. Thirty years of papers and paints had made every room the same weight. The clients wanted quiet, and a house that would still look right in twenty years.
Stripped back to plaster and re-skimmed by hand. Four limewash tones across the house, each chosen for the way its room takes the light. Oak floors sanded and soaped rather than replaced. Twenty-two pieces of furniture drawn for the house and made in the workshop, from the kitchen to the beds. A lighting plan of forty fittings, none of them recessed.
The house was photographed for a magazine and the clients declined; it was their house. Two rooms have been changed since, both by them, both in keeping. The joinery has needed nothing.
The first evening, we sat in the drawing room with no lamps on and watched the wall change colour for an hour. That was the brief, and they heard it.
Four full interiors a year, two furniture commissions a season. The first conversation is an hour, in your rooms, and costs nothing.